Dresden’s Quartet series

Polish violinist Karol Lipiński, first violinist 1839-58 Dresden’s strong chamber music tradition in the 19th century owes much to Karol Józef Lipiński (30 October 1790 – 16 December 1861), a great virtuoso who had a passion for string quartet playing. Despite his fame during his lifetime, the violins his owned are probably what keep his name … Read more

Bernhard Hausmann’s instrument collection

I was gratified to read among the headlines of the Berliner Morgenpost for 11 May 2023 news about correspondence between Joseph Joachim and Bernhard Hausmann, Robert Hausmann’s great-uncle. Seven letters were given by a member of the Hausmann family as a gift to the Kaiser Wilhelm Gedächtniskirche Stiftung, in honor of the church’s cemetery, where … Read more

Some online resources for 19th-century Berlin

Topography of Berlin Concert Life Interactive map of Berlin of locations of institutions and concert halls. Part of the digital Archive of Concert Life of the Staatliches Institut für Musikforschung. Berlin’s train stations A series of articles published on the blog Hydrachos Potsdamer Platz: A Journey through Time includes photographs of other historic places in … Read more

The 1840s in Berlin: Mendelssohn and Meyerbeer

There were few signs that the Berlin of the first half of the nineteenth century would become a world capital of music by century’s end. Musicians didn’t like the city, especially the ones who had lived and worked there, such as Meyerbeer and Mendelssohn. Common complaints centered around Berlin being conservative, unwilling to try anything … Read more

“Nanté,” or Music Criticism in the 1840s

The further we go back in time, the more obvious how arbitrary our knowledge of the past is. Most information about concerts comes from the press: newspapers and music journals provide the names, dates, and programs. For the most part, the news about performers and performances centered around opera, but that started to change once … Read more

Berlin’s chamber music in the 1840s

August Zimmermann’s Quartet “The great prophet of Beethoven’s last quartets is definitely Zimmermann, 40 years before Joachim!”–Ivan Mahaim As mentioned in the previous post, Ivan Mahaim’s 1964 study of Beethoven: Naissance et Renaissance de Derniers Quatuors argued that the obscure violinist August Zimmermann deserved as much recognition as Joachim for his Berlin ensemble’s performances of … Read more